Aaron Delwiche, “Why think about Propaganda,” Propaganda Critic, (4 February 2003) <www.propagandacritic.com/articles/intro.why.html>
Adolf Hitler, Speech inaugurating the “Great Exhibition in German Art,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 423-426.
Alfred McClung Lee, “The Analysis of Propaganda: A Clinical Summary,” American Journal of Sociology, Vol 51 (September 1945): 126-135.
Ben Shahn, “The Artist and the Politician,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 665-669.
Carol Becker, “Social Responsibility and the Place of the Artists in Society,” Zones of Contention: Essays on Art, Institutions, Gender and Anxiety, (New York: State University of New York, 1996) (4 February 2003) <archives.mcad.edu/POLITPROP/palace/library/socialresp.html> Article appears online in the Politprop Library hosted by Minneapolis College of Art and Design.
"Ceres," Encyclopedia Mythica (9 February 2003) <www.pantheon.org/articles/c/ceres.html>
David Dowd, “Art as National Propaganda in the French Revolution,” Public Opinion Quarterly, Vol 15 (Autumn 1951): 532-546.
Diego Rivera, “The Revolutionary Spirit in Modern Art,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 404-407.
George Dondero, “Communists Maneuver to Control Art in the United States,” The Congressional Record (1949); appears in Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 654-56.
-----, “Modern Art Shackled to Communism,” The Congressional Record (1949); appears in Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 656-658.
George Grosz, “My Life,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 393.
“Goebbels, Joseph,” Encyclopedia Britannica from Encyclopedia Britannica Online (9 February 2003) <search.eb.com/eb/article?eu=37927>
Hal Foster, “Subversive Signs,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 1065-1066.
Herschel B. Chipp et al, Theories of Modern Art (California: University of California Press, 1968)
Jane DeRose Evans, The Art of Persuasion: Political Propaganda from Aeneas to Brutus (Ann Arbor, MI: The University of Michigan Press, 1992)
John H. Mueller, “The Folkway of Art: An Analysis of the Social Theories of Art,” American Journal of Sociology, Vol 44 (September 1938): 222-238.
Judith Colton, “Merlin’s Cave and Queen Caroline: Garden Art as Political Propaganda,” Eighteenth-Century Studies, Vol 10 (Autumn 1976): 1-20.
Kendall Taylor, “Propaganda,” The Grove Dictionary of Art Online, ed. L. Macy (6 February 2003) <www.groveart.com>
Krzysztof Wodiczko, “Public Projection,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 1094-1097.
Leonard W. Doob, “Goebbels’ Principles of Propaganda,” Public Opinion and Propaganda (New York: H. Holt, 1948) (4 February 2003) <archives.mcad.edu/POLITPROP/palace/library/goebbels.html> Excerpt appears online in the Politprop Library hosted by Minneapolis College of Art and Design.
Michael Agnes, ed., “propaganda,” Webster’s New World College Dictionary, 4th ed. (CA: IDG Books Worldwide, Inc., 2000)
October (Association of Artistic Labor), “Declaration,” Art in Theory: 1900-1990 ed. Charles Harrison and Paul Wood (Cambridge, MA: Blackwell Publishers, 1993), 465-467.
“Propaganda,” Britannica Student Encyclopedia from Encyclopedia Britannica Online (6 February 2003) <search.eb.com/ebi/article?eu=29863>
Susan Wood, “Memoriae Agrippinae: Agrippina the Elder in Julio-Claudian Art and Propaganda,” American Journal of Archaeology, Vol 92 (July 1988): 409-426.
Toby Clark, Art and Propaganda in the Twentieth Century (New York: Harry N. Abrams, Inc., 1997)
"Virtus," Encyclopedia Mythica (9 February 2003) <www.pantheon.org/articles/v/virtus.html>